"frenetically hilarious" || "nothing short of mesmerizing" || "joyous mayhem" || "fabulously frenzied" || "inspired lunacy" || WHAT THE CRITICS SAY ABOUT NATHAN:

"frenetically hilarious" || "nothing short of mesmerizing" || "joyous mayhem" || "fabulously frenzied" || "inspired lunacy" || WHAT THE CRITICS SAY ABOUT NATHAN:

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“I highly recommend Francis Grey and the Case of His Dead Boyfriend, especially for people who like multimedia experiences, familial drama, and off-the-rails storytelling.” – Lavender Magazine


One-Man Exorcism:

The Tale of Francis Grey & the Case of Demonic Possession

In the chilling aftermath of “ONE-MAN WHODUNNIT: The Tale of Francis Grey and the Case of His Dead Boyfriend,” the shadows of Mistyfield Hospital for the Criminally Insane loom ominously. Rebecca, ensnared within its cold, echoing walls for her sinister attempt to end Jimmy’s life, leaves Francis with a sense of fleeting respite. His peace is shattered by the haunting realization of Rebecca’s decades-long scheme to unravel his existence. As Francis steps into the hospital’s dimly lit corridors, he encounters not just the twisted remnants of his former friend, but a malevolent entity—a centuries-old demon, its eyes gleaming with a promise of eternal torment. Desperate to save his life and soul from this dark force, Francis must confront the demon that now inhabits Rebecca, questioning his own sanity as he whispers, “What would Buffy do?”

WHEN: October 19, 23, 27 at 9pm

TICKETS: Streaming $20 | In-person $25

RUN-TIME: 60 minutes

WHERE: Under St Marks — 94 St Marks Pl, New York, NY 10009

Praise for Francis Grey:

NEW YORK! NEW YORK!

“What truly sets this production apart is Tylutki’s virtuosic performance. With remarkable agility, he transforms seamlessly from one character to another… There is no denying Tylutki’s immense talent. His commitment, versatility, and theatrical flair make him a performer to watch.” – Stage and Cinema

Experience it…

Nayrotica began when I was in grad school as an exploration of my stifled creative energy. Now, I write and produce content as a means of survival by queering the narrative one detail at a time.